SC

A graphic designer and visual communicator who has worked on a wide range of cross-disciplinary projects𓃈**** I am committed to pushing the boundaries of his field by adopting a holistic and non-dualistic view of graphic design, print, visual identity, and the evolving relationship between online media, traditional publishing, and visual communication𓁹𓁺

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SC


A graphic designer and visual communicator who has worked on a wide range of cross-disciplinary projects𓃈**** I am committed to pushing the boundaries of his field by adopting a holistic and non-dualistic view of graphic design, print, visual identity, and the evolving relationship between online media, traditional publishing, and visual communication𓁹𓁺

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BIRDSTRIKES

☉Art director
☉ Chaozhou, China
☉2021.01-2021.03

During the film's three-month production period, I oversaw every aspect of the film's costumes, props, and set design. First, I read the script in its entirety, absorbing the bas

ic plot points and production specifications so that I could formulate some broad ideas and get started on my preliminary planning. I regularly consult with the director and other members of the production team (including the actors), but my main goal at these gatherings is to gain insight from the people making the actual choices. The purpose of the meeting is to discuss the needs of the director and the producer and to share initial thoughts with the other departments in order to reach an early agreement. The decision makers' needs and production conditions will be studied in depth before we begin the substantive conceptualization and data collection. During filming, I oversaw and followed up on location, as well as handled any last-minute requests from the production unit or last-minute adjustments. After all, was said and done, I contributed to the director's best film&Art award at the AME Film Festival.